Scooter in the Sticks

Exploring life on a Vespa Scooter and Royal Enfield Himalayan motorcycle.

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iPhone Photography

February 25, 2017 by Scooter in the Sticks 16 Comments

Two Belgian Sheepdogs in the gardenLily and Junior — garden wrecking crew

I have 7809 photographs on my iPhone.  The writing prompt challenge today asks that I post the 25th image I come to on the phone.  This photograph of our Belgian Sheepdogs is the 25th image from the end of the list.  Had I started from the beginning you would below looking at a snow scene.

It’s amazing whats in the image collection.  Familiar photographs that I clearly remember making, and others I’m left wondering where they came from.  There or no captions or organizations — just a big collection.

Vespa GTS scooter with BMW R1200 RT motorcycleSilver Riders

Stopped at the end of the day Friday to visit with an investment counselor regarding retirement.  If there’s something I’m really, really good with, it’s not money.  For good or ill, I’ve followed my father’s belief about money, “Money is for spending boy.  When it’s all gone go make some more.”

Perhaps not the best approach.  Thank god Penn State forced me to contribute to a pension plan for four decades.  So I’m playing catch up, or perhaps learning to be an adult about things, and make some sound decisions regarding the next phase of life.

On the plus side — the counselor rides a BMW.  That has to count for something.  Looking at the silver machines made me think of Low’s song, “Silver Rider.”  It’s a melancholy ballad that touches the right chords sometimes…


2017 Brave, Bold Blogger Challenge

This post is part of a month long writing prompt challenge conceived by Kathy at Toadmama.com.

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Small Secrets

February 8, 2017 by Scooter in the Sticks 16 Comments

Steve Williams shadow on Drake Beach, MaineCamera Life

Looking for photographs that I’ve not shared before was daunting on more than a few levels and required some ground rules around “not shared before”.  With so many photographs made through my life it’s difficult to know who’s seen what.  I’ve translated the meaning as “not posted on Scooter in the Sticks before”.  And with close to 5000 pictures posted over the years it’s hard to remember.  To make it somewhat easier I’ve stuck to prints as my source since I don’t often scan things to post.

While looking I was struck by how pervasive the camera has been in my life.  It’s witnessed things, public and private, that are burned bright in my memory while others seem like strangers. I could also detect an arc of visual and technical development as I compared prints made through the decades.  An interesting exercise in personal archaeology.  The work uncovers small secrets — some to celebrate while others perhaps left buried in the past.

Forgive the technical quality of the images posted today.  I didn’t have the time to make proper scans so I’ve made quick copies with my iPhone to offer suggestions of moments from days past.

The first image was made 15 years ago while wandering Drake Beach in Maine.  Like a dog marking territory I’ve recorded my shadow on people and places for years.  That beach is mine.

Husband photographing wife in a mirrorWitness or Voyeur?

For five years I obsessively photographed my wife.  Starting with a large format camera that demanded a scheduled approach to portraiture I eventually evolved to the Leica M6 camera to record moments of our lives together.  During that period I made thousands and thousands of negatives reflecting much of what our life was like.  A relationship develops where you determine the boundaries and limits of what can and can’t be photographed.  It’s not easy or simple but yields over time an insight that’s surprising.  If you ever ask yourself, “Who am I?”.  Let a photographer photograph you day and night for years and you’ll find out.

lying in bed on a hot summer day…The Dogs Want to Sleep in the Sun All Day…

I made this photograph 44 years ago while lying in bed in my apartment on Waupelani Drive in State College, Pennsylvania.  It was  a hot, lazy summer day spent indoors with a girlfriend — that time of life when it’s perfectly normal to live in bed from morning until after midnight and then wander out into the night just to see what the world has to offer.

That print has stood on a shelf in my darkroom for twenty years; a reminder that the world doesn’t have to run on the schedule or normalcy scripted by society.  Each day is an adventure of our own creation. Lofty ideas but difficult to achieve.

One a related note — there is a song Aimee Mann that echoes the feelings embodied for me in the picture.  It’s oddly sad yet hopeful at the same time — J is for Jules…


2017 Brave, Bold Blogger Challenge

This post is part of a month long writing prompt challenge conceived by Kathy at Toadmama.com.

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Non-Riding Day

August 14, 2016 by Scooter in the Sticks 15 Comments

Paul Ruby, photographer, working near Madisonburg, PennsylvaniaWhere’s the Ducati?

The weather forecast called for heavy rain so we left the riding contraptions at home.  A non-riding day. When I first met Paul twenty years ago it was through photography.  He didn’t have a motorcycle at the time and my riding life was still ten years in the future.  But we did routinely set out to explore and make photographs.  This recent misreading of the weather had us reliving those earlier photo safaris.

Paul works with a Nikon D800 camera and almost always on a tripod.  He’s chasing perfection in sharpness and tonal range best served through a motionless camera.  I’m at the other end of the spectrum fueled by impatience and indifference to most technical concerns.

Utility pole and cornfield in central PennsylvaniaTradition of Verticals

One of my professors in art school pointed out to me after looking at dozens of photographic contact sheets that I have a fascination, perhaps an obsession, with vertical elements in pictures.  I thought of those conversations when making this photograph of a utility pole standing before a cornfield.  Still don’t know what piques my visual interest but I do have a lot of pictures with vertical elements slicing through a scene.

Paul Ruby pondering a viewARAT

I’ve photographed that tree dozens of times over the years creating scenes and views of it slicing a frame.  The images have little to do with trees but can’t say for sure what exactly drives the effort to look.  Whatever I see it’s meaning remains a mystery.

ARAT, another rock, another tree, is a pejorative term in the visual arts community sometimes applied to photographers interested in the landscape.  When America was falling in love with Ansel Adams in the 1960s and 70s many artists criticized photographers gazing at rocks and trees when the world was on fire and needed more social and political commentary.

I still photograph trees.  And scooters.  Not much in the way of social commentary coming from me save for the relative simplicity of life on the road with two wheels.

farm fields near Centre Hall, PennsylvaniaPennsylvania Agriculture

I recently purchased a Nikon D3300 DSLR camera.  It’s small, plastic and makes incredibly sharp images.  As much as I like my Canon G15 I wanted something that performs better in low light and generally produces a crisper, cleaner image but was not the kind of heavy beast that I’ve carried for years as a working photographer.

Over the years my understanding of agriculture has deepened and I appreciate the struggle and timing of production and harvest these scenes mean.  But the real attraction has always been the patterns and sweeps of land that a farmer serves.  Whenever I think I’m busy or hard at work I think of these scenes.

Amish buggy parking sign in Millheim, PennsylvaniaAmish Accommodation

A sign not seen in every town.  Millheim, Pennsylvania is in the heart of the Amish communities of Penns Valley and it’s not uncommon to see horse drawn wagons and buggies on the roads crisscrossing the area.  They take up more space to park and the town reacts accordingly.

I can’t say I’ve ever seen someone cleaning up after their horse though.

brick facade of a building in Millheim, PennsylvaniaArchitectural Palette

Millheim is a prototypical central Pennsylvania town.  The brick facades and construction styles can be found everywhere.  They’re ordinary and invisible but on closer inspection they have their own unique hue and spirit.  I could spend a lifetime and not see all the variants of color and texture.

Harley Davidson event in Millheim, PennsylvaniaHarley Davidson Infusion

Offsetting the quaint horse and buggies of Millheim was a gathering of Harley Davidson motorcycles at the Millheim Hotel.  In addition to the main street lined with motorcycles there was a rich collection out back with a dazzling array of sparkling chrome and color.  Not a filthy, hard ridden adventure bike in the mix.  No Vespa scooter either.

I’m not a Harley aficionado so the machines can all sort of look the same to me but Paul provided a mini-lesson in some of the finer points of Harleydom.  If the machines look alike to me, so do the riders.  There is definitely a uniform of sorts for both men and women.  While I’m sure there were helmets somewhere I don’t remember seeing any unless you call the red, blue or black bandanas tied to the head a helmet.

Everyone was having a good time.  When we first walked down the street toward the gathering you could hear one extremely loud motorcycle revving it’s engine, moving slowly somewhere along an alley and continuing to rev, move and rev again.  The sound echoed among the buildings and seemed to go on forever.  The rider eventually emerged onto the main street and then roared out of town at a breakneck speed.

It was gratifying to see the Harley riders standing in front of the hotel just shaking their heads. I just kept walking and making pictures, wishing I would have ridden so I could park my little scooter among the motorcycles.

All part of a non-riding day.

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Film is Not Dead

March 23, 2016 by Scooter in the Sticks 18 Comments

scene at Saint's Cafe with Hasselblad cameraFilm is not dead — just on hiatus.  For me at least.  Last week after a long separation from Ilford black and white film I picked up a camera in hopes of rekindling a project.  Any project at this point.

With a Hasselblad at hand and a shipment of paper and chemicals delivered from B&H Photo I’m back in business.

What ever that is.

Maybe I’ll dust off the darkroom too…

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Memento Mori

March 15, 2016 by Scooter in the Sticks 25 Comments

Memento Mori: a reminder of mortality…

an old brick in a frozen bird bathWitnessing Life

Save for the photographs I make for Scooter in the Sticks and a few family snapshots I’ve been an idle photographer.  The darkroom is shuttered and I’ve sold almost all of my “serious” cameras — the Leica is gone along with the view camera.  And with them my desire to seriously pursue any more photography projects. Finally free of the torment of camera work and creative irritations I could relax and enjoy each day as it unfolded.  At least until I found myself picking the camera up each morning as I wandered the garden with the dogs.  Without intention or goal I pressure the shutter on whatever provided interest.  Or not.  I was engaging a photographic process that I knew, at least subconsciously, would stimulate desire.

A desire to see again.

garden details and dogLearning to See

I can’t remember when the camera became a means to see beyond what was revealed to my eyes.  There is more — sometimes wonderful images reflecting the soaring joy felt felt witnessing a magnificent vista, the grin on a granddaughter’s face, or the loving eyes of a faithful dog.  Make enough photographs and you may find something else, something not everyone is comfortable looking at — the march of time.

Writer, filmmaker, teacher and activist Susan Sontag eloquently described a part of the photographic phenomena.

“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”
― Susan Sontag

Wandering the garden with the camera I’m stricken by what is passing away.

bamboo grove closeup of culmsStride with Grace

My lovely bamboo grove — planted 20 years ago and growing into a dazzling array of culms and shimmering leaves.  Such a graceful plant (though wildly aggressive lest one wield a shovel continuously). And then, seemingly overnight, it passes its peak and begins to fade.  The camera sees it.  There is less life ahead. The Phyllostachys aureosulcata surrenders to time’s relentless melt.  Evidence is everywhere.  In the garden, along the road.

In the mirror.

A Belgian Sheepdog in a gardenDear Friend Junior

There are dogs and then there is something more — canines of myth with mystical power to influence behavior.  Junior, our Belgian Sheepdog, has wandered with me for almost seven years now and submitted to frequent encounters with the camera.  Photography can make some knowledge almost too much to bear.  But it also reminds of what is happening constantly.

A dog’s stare — a quiet mesmerization whispering, “pickup that ball”.

sunlight illuminating the hairs on a staghorn sumac branchA Photography Project

Fine hairs on a Staghorn Sumac branch as the dawn comes to the garden.  I work with the camera each morning.  Sometimes for only a moment, a nod toward compulsion that I can check off a commitment to work. Kim loves this tree and her enthusiasm has rubbed off on me.  I’m slow to change in almost everything, including trees.

After a few weeks of making exposures with the camera in the garden I can sense a simmering desire to do something more — a photography project that stares at the memento mori.  Friends have suggested my heart attack last spring has influenced an outlook toward mortality but I know I’ve been photographing that feeling for years, long before the heart attack.

I’m uncertain where the photography will lead but I’ll share evidence here as it surfaces and provides a glimpse of time’s relentless melt…

 

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