I have a small gray notebook to keep track of the black and white film I process. Entries include date, number of rolls, developer, temperature, developing time and notes on how the negatives look. Sometimes there may be a notation on the subject. Until now the last roll of film developed was in October 2011. That’s when the sink sprung a leak and how long it has taken me to make repairs. Obviously it doesn’t take that long to fix a sink. Life just got in the way.
Slowly working through the backlog of exposed film and getting into the flow of processing — I had forgotten how satisfying the ritual dance in the darkroom can me, the low amber glow, the soft sound of water trickling through trays, the quiet disconnection from technology and distraction.
Such is the attraction of black and white film photography.
Using a film camera is a different experience than using a digital camera. I like to believe the image is all that matters but I know that’s not true. A body of work doesn’t spring into existence without a lot of work and sweat. The tools and processes involved not only affect the final product, but also the worker. For me, film has always resonated in my personal work. For the past couple years I’ve wandered away from it.
The Leica M6 has been a faithful companion for over a decade. It’s simple and reliable, much like the Vespa scooter I ride.
At Saint’s Cafe this morning Gordon looked over prints and contact sheets, a part of the long sharing we’ve engaged in to help motivate continued personal work. It’s easy to stop in favor of so many other things but I’m grateful that I’ve continued making photographs for myself for over 50 years. It just works.
Below are the images I brought to the cafe.
Carl is a Saint’s Cafe regular. I showed him the print and he did not recall me making the photo. I remember it well; standing outside the window waving to get his attention but he was lost in thought. Carl told me he must have been working on his Huuduu composition, a jazz-funk piece. He’s a musician and concert violinist.
My friend and love, wife and confidant Kim in her garden. She sees everything.
Aleta, the youngest child. She went with me to Baltimore at my last appointment at Johns Hopkins. I think she was smiling because afterwards we would pay a visit to IKEA where she would acquire some furniture.