I remain photographically constricted because of my belief that dramatic light is an essential ingredient for a good photograph. In practice I photograph in all kinds of light and in the rainbow picture I made last week on a ride into town I see evidence that dramatic light does not make a dramatic picture. My brain tells me that good pictures are everywhere and do not require any formula of essential elements. But whispering deeper is some stilted, stunted core level belief in dramatic light. Perhaps it is a result of early exposure to Ansel Adams and Edward Weston. Wherever it came from it has an effect on my decision making. I am a prisoner of my own beliefs.

On clear days I often leave early to catch the low light which can render objects and landscapes in more dramatic fashion than the middle part of the day. I’m certain this plays a partial role in my habit of riding at dawn. Even if I am not making pictures I want to see the world change. Color and texture change rapidly in the morning. Spaces are more clearly defined. Last Saturday morning I put my Mamiya 7 camera in the Vespa and headed towards the mountains to make photographs. Not far from home I stopped to look at the road and the brightness beginning to consume it. The little point and shoot Canon camera makes recording these moments simply as my own visual sketching.

The transition from motorcycle back to scooter was invisible. The ride of the Vespa is plush; even on gravel. I’ve become more accustomed to riding on these forest roads and always find a sense of quiet satisfaction being able to move beneath the trees. And it didn’t matter if I was not inclined to bring out the film camera.

Those of you familiar with Rothrock State Forest may recognize the switchbacks on the road to Little Flat. It’s narrow and can be unnerving when the inattentive driver comes barreling down the hill in a truck or SUV. I would not want to attempt any off-road riding here.

Several stops to search for non-scooter pictures didn’t reveal anything I cared to spend film on. The process was underway and by the next day had finished a new roll of Ilford black and white film. After digging through my desk I now have a total of four rolls awaiting the darkroom treatment. On this day though my thoughts turned (as always) to food. The Pump Station Cafe was only a few miles away.

Riding a scooter tends to offer some parking alternatives that a motorcycle does not. My Vespa is small enough to park right in front of the cafe on a little sidewalk. It looks like it belongs there. At least that’s what I tell myself. While eating I jot notes on an index card about my troubles getting my head back into shooting pictures. I don’t count the things I do for Scooter in the Sticks or at work. I judge myself, perhaps wrongly, by the photographs I make solely for myself. I hit these dry spells now and again and I just need to wade through them. Get past my thinking and get closer to doing.

And quit being a prisoner of light.