With so much snow and cold weather lately I’ve just not been interested in riding lately. I’ve traversed this sort of surface but I no longer am interested in testing my endurance or skill on the ice. Instead, I’ve been exploring my photographic roots and am spending more time making photographs on film and working in the darkroom. A post on a forum this evening spoke of a “reboot” in life. That may be what I’m doing.
Sunday morning at Saint’s Cafe has been the place to validate my non-professional photographic life with the help and participation of friends on similar quests. Everyone should have a time and place to confirm some things in life. The hot chocolate and bagel is just icing on the experience.
Paul Ruby has been consistently working and producing gallery quality digital prints from scenes from his life. Seeing someone consistently show up with new work, regardless of quality or subject, is inspiring. Everyone is busy with myriad responsibilities and seems to live in chaos so when a person manages to inject some personal creative expression and output into their days is kind of amazing to me.
Gordon Harkins has been showing up for years now and most times with new work. In his frustration that he’s not doing more I recognize my own awful critic that can’t see how much I’m actually doing myself. I remind him of the output he’s accomplished but I don’t think he believes it. I’m familiar with the trait.
Photography is important to Ruby and his thoughts, words and gestures support that observation. I often sit back just to watch and listen to the show.
Each week I continue to try and expose two rolls of film and make three prints. It feels random and unfocused but I trust that it will lead somewhere if I do the work. So here’s the latest from the photographic reboot:
Leica M6 portrait of Gordon Harkins made the previous Sunday as snow began to fall.
View of Kim making photos of her snow-covered garden.
Portrait of my Belgian Sheepdog Junior in the snow.
So that’s it. Three prints. This week I have the 8×10 Calumet C1 view camera out and have been considering a switch for a bit. The camera is heavy — almost 18 pounds — and the film is expensive — almost $2.50 a shot — so I’m still pondering. Whatever happens, I trust the process to yield something good if I show up to do the work.
Just like riding the Vespa scooter.




















