
By pushing myself to expose a roll of film every week I am slowly beginning to get back into a photographic groove, or at least recognize one exists. When I commit to exposing film, not making good photographs, I get better. Like a musician, dancer or athlete I am practicing. I’m able to quiet the critic and editor in my head and just respond to the things I see in front of me. The same applies to looking at prints and contact sheets. When I let go of expectations I learn things. This lesson for me this week arrived in the form of the portrait of my dog Essa.
Low light required a slow shutter speed and large aperture setting resulting in a very shallow depth of field. This isn’t rocket science. What was intriguing to me as I looked at the photograph is how preconditioned I have become to having everything sharp and in focus from foreground to background. It is an automatic response most likely honed from years of working with a large format camera shooting landscapes. It is so ingrained in my camera thinking that I am blind to other possibilities. These laws I build for myself cut me off from freely exploring with the camera. So I have something to work on. That’s the way it is when I work. Questions come up. Maybe about a place or subject, or maybe about how I think about things. And I use the camera to explore for answers.

The cold and snowy weather kept me close to home and largely off the road with the Vespa. I did manage to ride one day and expose three frames during the ride. The three frames along the bottom of the above contact sheet were all made during a ride that also took me to our local Vespa dealer where I purchased a Vespa mug and black T-shirt. I’m anxious for the roads to clear a bit so I can ride more. I’m hauling the Mamiya 7 in the MotoFIZZ back that’s strapped to the rear rack. I wrap the camera in a lens wrap hoping to keep any vibration to a minimum. I don’t want to subject the camera to the vibration and heat that surely would be present under the seat. If anyone has had any experience hauling camera equipment around I would be curious to know if vibration has been an issue.


Everything else was shot during walks with the dog and in places I would probably not be riding the scooter. One in particular required crawling under some electrified barb wire.
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