Scooter in the Sticks

Exploring life on a Vespa, Royal Enfield Himalayan, Honda Trail 125, and a Kawasaki W650

Photo Project Update: February 20, 2007

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By pushing myself to expose a roll of film every week I am slowly beginning to get back into a photographic groove, or at least recognize one exists. When I commit to exposing film, not making good photographs, I get better. Like a musician, dancer or athlete I am practicing. I’m able to quiet the critic and editor in my head and just respond to the things I see in front of me. The same applies to looking at prints and contact sheets. When I let go of expectations I learn things. This lesson for me this week arrived in the form of the portrait of my dog Essa.

Low light required a slow shutter speed and large aperture setting resulting in a very shallow depth of field. This isn’t rocket science. What was intriguing to me as I looked at the photograph is how preconditioned I have become to having everything sharp and in focus from foreground to background. It is an automatic response most likely honed from years of working with a large format camera shooting landscapes. It is so ingrained in my camera thinking that I am blind to other possibilities. These laws I build for myself cut me off from freely exploring with the camera. So I have something to work on. That’s the way it is when I work. Questions come up. Maybe about a place or subject, or maybe about how I think about things. And I use the camera to explore for answers.


The cold and snowy weather kept me close to home and largely off the road with the Vespa. I did manage to ride one day and expose three frames during the ride. The three frames along the bottom of the above contact sheet were all made during a ride that also took me to our local Vespa dealer where I purchased a Vespa mug and black T-shirt. I’m anxious for the roads to clear a bit so I can ride more. I’m hauling the Mamiya 7 in the MotoFIZZ back that’s strapped to the rear rack. I wrap the camera in a lens wrap hoping to keep any vibration to a minimum. I don’t want to subject the camera to the vibration and heat that surely would be present under the seat. If anyone has had any experience hauling camera equipment around I would be curious to know if vibration has been an issue.



Everything else was shot during walks with the dog and in places I would probably not be riding the scooter. One in particular required crawling under some electrified barb wire.

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Farms are Cool

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Pushing the pen across paper while my dog noisily gnaws on a large Milkbone makes it really difficult to attend to my writing. Farms are cool places to look at and the surrounding landscapes are my favorite photographic subjects. Mountains, old growth Pacific forests, Yosemite, the ocean—-they are all beautiful. But I am disconnected from them because I live here. Photographing those traditionally beautiful places leaves me with postcard images. I never have time to get close enough to see past that pretty veneer. And it would take months, maybe years.

On the ride home from work my instrument panel showed 23° F. With the sky clear and the sun bright as it headed for the horizon it was warm enough for a detour through the landscape I love to look at. Almost immediately after leaving the main road I came upon Meyers Dairy Farm. Those red barns just glow in strong sunlight. The remainder of the ride home was a slow puttering event that allowed me to be a tourist again in my own neighborhood. I didn’t have the big camera with me but plan to haul it out this morning.


Arriving home I decided to do something about the salt and grime that has been collecting on the Vespa for the past two weeks. With a sponge and bucket of really hot water I was able to remove a lot of it. Perhaps today I will do a bit more.

A few have inquired about my non-electric solution to staying warm—especially my hands. I wear expedition grade Black Diamond Mittens with a pair of thin polypropylene gloves underneath them.


I added the gloves because I needed to slow down the chilling of my hands when I stop to take pictures. The metal body of the small Canon S50 digital camera is like holding a small block of ice. The thin gloves slow down the numbing effect on my hands. If I fiddle too long with the camera I will warm my hands on the headlight before slipping them back inside the mittens. Once my hands are really cold it is difficult to bring them back without returning to a heated area.

After a bowl of cereal I’m going to head out on a photo ride. No idea where I’m going or for how long. Most likely my hands will dictate course and duration. It’s 14° F right now with a promise of higher temperatures this afternoon. After a check of oil levels, air pressures, lights and things I’ll be off.

A Riding Photo Project

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Committing to a photography project is difficult. Mental gymnastics intended to clarify and focus a direction generally leave me thinking that every photograph has been made and adding to the sum total of human expression is a pointless exercise. Every mundane chore or diversion looms larger and the camera sits quietly in the dark. My brain really makes it difficult to start.

The images I make of the Vespa while riding are easy. The rides are fun and I like the way the scooter looks. I can pull the digital camera out of my pocket and in a few seconds I’m done. What I’m talking about now is a body of work related to the scooter only because the scooter may be transporting me to the location in which I would photograph. The Vespa is not a subject. Perhaps the ride is the subject. The photograph above was made during the last ride of my LX150 shortly before permanent mechanical failure. It is the sort of image I might make as part of this project. Whatever the subject is what is clear is that I have not been able to sustain action or production. I do a lot of thinking. Thinking is good, just not for photography, at least not for me.

During a phone conversation last weekend my friend Gordon, also a photographer, suggested we get together periodically to help each other along through doubt and motivation, to prod through support or shame the production of new work. Friend Paul was added to the group and Kim took part in our first meeting on Monday night.

I’ll share my part in this. I agreed to shoot two rolls of film, process, contact and make two work prints to show when we meet every two weeks.


A quick calculation in my head shows one hour to process the film and two hours to make the contact sheets and prints. I can’t estimate the photography time. The above contact sheet shows images made during the last ride of the LX150.

I need a carrot but more often I need a stick directed at me to get me moving. Thinking about photography doesn’t get me any farther than thinking about riding does. In each case I need to just get in motion. Things only happen when I am engaged in the process. I’m hoping that combining the camera with the Vespa will make something happen. I have faith in things happening when I am in motion. I’ve decided to share this journey in Scooter in the Sticks. I’ll allow you to see the process and the rough results as I haul my camera around. If I am really lucky I’ll feel guilty not keeping up with my photo production goals. So look for some black and white photos to appear at least every two weeks. Give me hell if I drop the ball.