Scooter in the Sticks

Exploring life on a Vespa, Royal Enfield Himalayan, Honda Trail 125, and a Kawasaki W650

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3 Prints Project; March 1, 2009

March 3, 2009 by Scooter in the Sticks 12 Comments

On Sunday morning Gordon Harkins and I shared our 3 Prints Project work at Saint’s Café. I arrived with contact sheets from two new rolls of film and three gelatin silver prints. Gordon surprised me with 24 small prints of the work he plans to include in the Blurb book we’re working on that portraits the first year of work. His photographs are quiet, complex reflections of how he sees the world. In my opinion.

My first print this week was made during a walk with my dog. As she approaches her 16th birthday the image has an uneasy feeling for me.
The photograph of the house was made in Lewistown, Pennsylvania as I waited for my youngest daughter at the train station. A woman emerged from the house with baleful looks for the camera and me. In character I sheepishly put the camera down and missed the best shot.
Kim was paging through books at Barnes and Noble. I still enjoy photographing her but I have lost speed in responding to subjects. I have trouble tripping the shutter fast enough.  Often by the time I am ready the moments have passed.
Practice makes perfect.

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3 Prints Project Update

February 25, 2009 by Scooter in the Sticks 10 Comments

Despite not writing a word about this since April 2008 the project has continued. This evening I was processing film in the darkroom. Back in November photography ground to a halt as my friend Gordon and I began to edit our images and put together a Blurb book. For me that’s a difficult process and one I go to great lengths to avoid. I’m finally wrapping up work on the 24 or so images that will appear in the book reflecting my experience with the project.

It’s good to be back in the darkroom processing film. This evening it was two rolls of 35mm Ilford HP5 processed in ZonalPro film developer. A heady affair with a new Nikon D700 digital SLR camera keep my Leica M6 in the camera bag for a long time but now we’re back together, the Leica my primary creative sketching tool. The D700 is an amazing tool and can do things I did not think possible. But after the glow of newness faded I found it cold, empty, and without the magic I feel shooting, processing film and making prints in a darkroom.

Darkrooms are cozy places and maybe sometime I’ll try and make a picture that depicts that feeling. But even with the lights on a see a lot of comforting things around. And once the lights go down, the sound of water running, and some soft music, well, it is a great place to work.

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Forging Ahead, Falling Behind

April 9, 2008 by Scooter in the Sticks 10 Comments

I decided to upgrade to the new Blogger layout templates. When they say you might lose some things they mean it. So bear with me as I slowly wade through my notes and see if I can restore links to sites, RSS feeds, and such.

The above picture started with me sitting in my office. Photographer Billie Mercer made the Mexican landscape image. During a discussion about the empty space I stuck myself in the picture. Another photographer, Frank Armstrong created the triptych. You never know what might happen to your pictures on the internet.

Hopefully that distracted everyone long enough for me to get Scooter in the Sticks back in order…

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3 Prints Project: April 6, 2008

April 7, 2008 by Scooter in the Sticks 5 Comments

This week I gave the digital camera a rest and was back to shooting film. I use 35mm Ilford Hp5 processed in Kodak D-76 developer diluted 1:1 with water. I’ve been using D-76 for over 30 years now and it still gives reliable results. In case you are wondering how I fit this into my schedule I carry the Leica M6 around with me from Sunday until I have two rolls exposed. Generally I have that done by Wednesday or Thursday, process the film on Thursday or Friday evening, and print sometime during the day on Saturday.

It takes more patience than time. Shooting is incidental and done while doing other things. Processing the film takes about 45 minutes. Making three prints takes another hour or so. Depending on my mood and how the week goes this can seem easy or impossible. Luckily it doesn’t matter how I feel. I just need to do it.

Still not sure where I am going with this project but I believe something good will happen. Photography remains a mystery to me a lot of the time.

So here are this week’s pictures:

Kim at Barnes and Noble.
Twisted vines in bird paradise.
Trees in the wind at local park.

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Secret Places in the Ordinary

April 5, 2008 by Scooter in the Sticks 8 Comments

I have driven or ridden by this place for over 25 years and never saw it.  It’s a small ravine surrounded by trees in the middle of a farm field.  An ephemeral stream that runs into a grotto and disappears.  This place lives in the spring and vanishes as the world dries and the weeds grow up to hide it’s secrets.  I’ve literally spent weeks of my life in this specific area but never managed to stop and walk into the trees to see what was hidden within.  The extent of my blinders never fails to amaze me.

This morning I had time for a short brisk ride under gray skies.  I chose a wet mud and stone road running along powerlines to explore.  I try and bring fresh eyes to places but what I see depends on where my head goes.  Thoughts of what I wanted to do today keep me from the empty mind that often works best when riding and making photographs.

A few miles down the road I decided that I really should get home and process film for my 3 Prints Project.  One last picture in the woods and I turned around to take a lazy ride home.

Riding through town I stopped to take one picture to demonstrate that there is some civilization in the sticks.  I’ve read a few references to Scooter in the Sticks lately that wonder aloud if there are any people or towns around.  Indeed there are and the pictures here are merely a representation of the places I’m drawn to.  Without much effort I bet I could produce Scooter in Hell with all the necessary traffic, bad roads, ugly places needed to convince someone how nasty it is to ride here.
I just try and make sure that I don’t let the nastiness overwhelm the beauty that is all around and right in front of me.

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